Skip to main content

The origin of the Horror Rookie Academy

The Horror Rookie Academy has been operational for 15 straight years now! Good heavens, it's almost unbelievable. It's time for a little look back at the origin of the Academy.


When I was little, my dad worked as a captain in foreign trade, and my brother and I used to join the boat during the summer holidays. (It was a simpler time, before the age of HSE...) Norwegian seafarers are so lucky to have the Norwegian Sailor's Church (Sjømannskirken) which works for their well-being. The Sailor's Church used to run a library service on Norwegian ships, providing books and films for the sailors.



Either someone responsible for such things at the Sailor's Church was a horror and sci-fi lover, or their insight into the contents of the films of the time was so-so: the library cabinet onboard the boat was filled with the VHS tapes that basically made me the horror fanatic I am today. Jaws, Frankenstein, The Shining, Poltergeist, Rosemary's Baby, The Thing... All of which were movies I noticed in the video stores back home but was not allowed to rent. I would sneak up at night to watch all these movies. Alone in the mess hall on the boat. With foreign candy and unlimited access to cans of Coca Cola. And cake sprinkles from the pantry.


But I digress, I digress.


My interest for horror films continued to grow as my brother jumped on the VHS wave and filled a cabinet in his room with pirated horror movies and thrillers. Faces of Death, Friday the 13th, A Nightmare on Elm Street... It was the best of times!



This horror film interest has only grown throughout my life, and with the internet and social media, access to both films and like-minded individuals naturally became vastly greater. To begin with, I linked up trailers for various horror films on my personal Facebook page.


That didn't work well. Not at all. Most people don't really understand horror. I got quite a few negative comments on my interest in horror films. It may appear that for the non-horror person, a horror head may seem like a mix between a dangerous person and a crazy one.



As Facebook introduced the groups feature, I immediately started the Academy.


In the street where I grew up, a guy named Arne lived. Arne and I shared an early interest in adventurous and dramatic film - Critters, The Goonies, Friday the 13th... The whole eighties package. It was the best of times! In the parallel class (a wonderful term!) was Silje, who has always shared my interest in the peculiar and the absurd. I guess you could call us the “kids on BMX’s” of that time. When I decided to start the Academy, it was natural to include these two.


So, what about the name "The Horror Rookie Academy"?


Part of the point of starting the group was simply to learn more about horror films. A kind of… horror rookie academy. (Duh…) A place for everyone. It's as simple as that.


The Academy revolves around horror, sci-fi, and absurd film. People who seriously like horror films also often have a taste for the absurd - and everyone likes sci-fi!


Initially, the rookies shared links to films that were cool, films they were curious about, and experiences within horror films in general. Gradually, the Academy began to revolve around more than just film; games, books, music, memes - and more and more people took a liking to what we were doing.



15 years later, and literally hundreds of thousands of posts, comments, and reactions deep into the history of the Academy, we are quite proud to state that The Horror Rookie Academy is one of Norway's most resilient Facebook groups for horror and sci-fi film. We have expanded onto platforms like Instagram, Mastodon, Hudd and Threads, and the blog you are reading now continues to increase in readship, with approximately 2000 views per month.


The horrors persist. so does The Horror Rookie Academy!




Others are checking out:

32 Liminal horror movies

Let's begin with the beginning: what in the world is "liminal" - and "liminal horror"? The word liminal itself is defined quite differently by different sources, but the essence is as follows: - a state/position at or on both sides of a threshold/border - a transition between states or the initial phase of a process of change As far as I understand, Liminal horror points to both this and at the same time to what is called liminal spaces , which are: - areas and architecture that lead you from something to something else, and which are not intended as anything more/other. Corridors, underpasses, aqueducts, airports, queues, waiting rooms... 'Non - destinational places', as my husband called it when I tried to explain it. Apt term! 😍 - Emotionally, liminal spaces are, for example, grief and growing up - Psychologically and socially, it's is 'nothing' between different feelings or states: the state of post partum and detox are two examp...

Krampusnacht! Krampus & Christmas horror

Krampus is a mythological figure in the folklore of Central Europe, especially in the Alps (Austria, Bavaria, the Czech Republic, Hungary, Slovenia, Croatia, Slovakia and South Tyrol). He is traditionally a figure who punishes disobedient and naughty children at Christmas time, in contrast to St. Nicholas (who is the equivalent of Santa Claus), who rewards the good with gifts. His name probably comes from the German word "krampen", meaning claw. Krampus appears on the evening of December 5, known as Krampusnacht (Krampus Night), the night before St. Nicholas' Day. Krampus is usually described as a devil or monster-like figure, often half goat and half demon. He usually has large buck horns, a fur-covered body (often made of goat or sheepskin), claws, a long tongue, and a hoof on one or both feet. On Krampusnacht 2025, as ominous gusts of wind carried supercooled rain across Scandinavia, the rookies at the  Horror Rookie Academy  decided to flock together. They dug into th...

Feinschmecker giallo films!

  It's really hard not to like giallo when you like horror movies. If you ask me. It has the seventies feel to it, it has slashing, practical effects, razors and negligees, black gloves and mansions. ...and the names of these movie, my goodness. "Aunt Martha does dreadful things", for example. 😍 One of our rookies is a regular cornucopia of knowledge of giallo, and he dug into his mind looking for the more obscure giallo movies.  Enjoy! ✌ Murder Obsession (Riccardo Freda, 1980; Italian: Follia omicida) aka Fear, aka The Wailing, aka The Murder Syndrome The Secret of Seagull Island (Nestore Ungaro, 1981; Italian: L'isola del gabbiano) Madhouse (Ovidio Assonitis, 1981) aka There Was a Little Girl Tenebrae (Dario Argento, 1982) aka Unsane The Scorpion with Two Tails (Sergio Martino, 1982; Italian: Assassinio al cimitero etrusco / Murder in the Etruscan Cemetery) A Blade in the Dark (Lamberto Bava, 1982; Italian: La casa con la scala nel buio / The House with the Dar...

Escapism in horror, sci-fi and absurd film

  Quite a reality we live in, huh? 🥴 It's kinda messed up. Kamikaze-trained harp seals with GoPros on their heads swim around our oceans while geopolitical toxic masculinity literally spills out across all continents. On top of it all: AI. There seems to be no end to it all. That's why the Horror Rookie Academy offered a whole week of escapism in early February 2025. ...but what exactly is escapism in horror, sci-fi and absurdist film? It's not a genre, is it? We introduced the topic like this: - SUBJECTIVE: For some, _all_ films can actually be an escape from reality. Here we are looking for tips on which films/series (horror/sci-fi/absurd) are an escape from reality for you. There are no right or wrong answers here. 😁 - HUMOR: Humor strikes me like a joker in this game. For example, I laughed my way through The Human Centipede; for me it was a very unrealistic comedy - and then I know that my mother would perceive the film a little differently. (I accidentally saw David...

Iä! Iä! Lovecraftian horrors

  H. P. Lovecraft (1890–1937) was an American author best known for his influential contributions to the genre of "weird fiction," especially cosmic horror. His work is characterized by a unique blend of science fiction, horror, and the supernatural, often exploring themes such as forbidden knowledge, humanity's insignificance in the universe, and the fragility of reason. Lovecraft created a mythos—a loosely connected universe populated by ancient, powerful beings such as Cthulhu, Nyarlathotep, and Azathoth. This "Cthulhu mythos" became central to his legacy, and was later expanded upon by other writers. So, to the eternal question: what does this almost etherial term "Lovecraftian" actually mean? I think Wikipedia says it well: "Lovecraftian horror, also called cosmic horror or eldritch horror, is a subgenre of horror, fantasy, and weird fiction that emphasizes the terror of the unknown and incomprehensible more than gore or other shock elements....

Sci-fi or DIE!

Sci-fi is nothing short of glorious entertainment. Science fiction takes you to the outer realms of space, to strange planets inhabited by alien creatures whose workings are unbeknownst to us.  It also takes you deep into the human fear of technology, of hybridization, alien lifeforms, artificial intelligence, time travel, cyborgs and into our very future itself. One starry night, as there were no skies covering the Scandinavian peninsula, the rookies of  The Horror Rookie Academy  looked up towards the skies. They let their gaze wander between stars, the moon and the infinite expanse of our universe. They let their minds drift, their fantasy wander. They stared into the the very void itself. Awe-stricken by it all, their minds simply set ablaze by cosmic complexity, they decided it was time to put their heads together. The goal? To curate an extensive list of tips on top notch science fiction movies and series. Below, you find no less than 96 movie tips on sci-fi movies ...

Queer roles in horror

At the Horror Rookie Academy , a very interesting exchange of opinions emerged in the spring of 2022 on the topic of queer roles in horror . In the following, I will explain why I think it is both okay and important to lift queer roles in horror films. The text represents the author's opinion. In the wake of a really interesting analysis done by Dread Central (a must-read!), it was suggested that queer roles may take the focus away from the horror in horror films. This got me thinking. Thinking real good. Could it be that queer roles, roles protraying people like me,  among the majority may be perceived as unnecessary to the plot in horror films?  As something forced? Queer people are very used to seeing a different type of love than our own being central to the films we watch.  One of the things that makes me love films in general, and horror in particular, is that you get to enter situations where you are sort of exempt from constantly having to connect your own situat...

Hillbilly vs outback horror!

Hillbilly Horror is an American subgenre, often rooted in the concept of Southern Gothic , where a group of "civilized" outsiders (often young people from the city) venture into remote, rural areas—typically the Deep South, Appalachia, or the Southwest—and encounter a family or group of violent, often inbred, degenerate locals. Key Conventions of hillbilly horror are: Setting: Remote, isolated locations like deep woods, decaying farmhouses, abandoned roads, and dilapidated small towns, usually suggesting an area "forgotten" by modern society. The Villains: The antagonists are typically a family unit , often characterized by inbreeding, physical deformities, cannibalism, and extreme violence. They represent an unhinged, "monstrous" version of the rural poor. The Conflict: It's fundamentally a Clash of Cultures —city dwellers vs. country folk. The horror stems from the characters being stripped of their modern conveniences (like cell service or relia...

Body horror!

A truly unsettling and fascinating subgenre indeed, body horror (also known as biological or organic horror) is a type of horror fiction where the primary source of terror comes from the grotesque or psychologically disturbing violation, transformation, degeneration, or destruction of the physical body. It often plays on deep-seated anxieties about physical vulnerability and loss of control over one's own body. A key element is that the body's violation is usually not the result of immediate or initial violence, but rather a loss of conscious control over the body due to mutation, invasion, decay or scientific interference. The horror often centers on an individual watching their own body betray them, change, or collapse, rather than being hunted by an external creature. Guillermo del Toro famously described body horror as the "betrayal of the flesh." The genre intentionally invokes intense feelings of physical and psychological disgust, pushing the limits of what the...